Herbert Murrill, a notable figure in 20th-century British music. His contributions as a composer, educator, and administrator have had a significant impact on the development of British musical culture. Murrill’s unique blend of traditional and modern elements in his compositions sets him apart from his contemporaries, making his work a subject of ongoing interest and study.
Throughout his career, Murrill wore many hats in the music world. His early life and education laid the foundation for his future success. As we explore his career highlights, we’ll see how he rose to prominence in British musical circles. We’ll also delve into Murrill’s distinctive musical style and examine his most important compositions. Finally, we’ll consider his lasting legacy and the influence he continues to have on classical music today.
Early Life and Education
Herbert Henry John Murrill was born in London, England, as the eldest of three children. His family resided in South London, where his father Walter worked as a cork merchant. Murrill’s musical journey began early, as he became a chorister and participated in The London Music Festival. His talent earned him a scholarship to Haberdashers’ Aske’s Boys’ School in Hatcham, where he studied from 1920 to 1925.
Although initially awarded a scholarship to the Guildhall School of Music, Murrill chose to attend the Royal Academy of Music in 1925. There, he studied under renowned instructors such as York Bowen for piano, Alan Bush for harmony, and Stanley Marchant for organ and choir training. During his time at the Academy, which lasted until 1928, Murrill excelled, winning medals for piano, organ, harmony, and aural training.
Murrill’s compositional career began during this period, with his first works including the Rhapsody for cello and piano and the ballet Picnic in 1927. The latter caught the attention of Ralph Vaughan Williams, who became a friend and supporter of Murrill’s work. Following his time at the Royal Academy, Murrill continued his education as an organ scholar at Worcester College, Oxford, from 1928 to 1931, studying with William Harris, Ernest Walker, and Hugh Allen.
Career Highlights
Herbert Murrill’s career was marked by significant achievements in various musical roles. He served as an organist at St Nicholas Church in Chiswick and later at Christ Church, Lancaster Gate, and St Thomas’ Church, Regent Street. In 1933, Murrill was appointed Professor of Composition at the Royal Academy of Music. His career took an interesting turn during World War II when he joined the Intelligence Corps as a Sergeant at Bletchley Park from 1942 to 1946. There, he conducted the Bletchley Park Musical Society, organizing performances and inviting renowned musicians to perform. After the war, Murrill returned to the BBC, where he had been working since 1936. He rose through the ranks, becoming Head of Music in 1950.
Musical Style and Compositions
Herbert Murrill’s musical style blended Francophile and mildly middle-Stravinskian influences, tempered by an English take on neo-classicism. His diverse compositions ranged from jazz opera to film scores and chamber music. Murrill’s early works included “Man in Cage” (1930), a jazz opera that ran for eight weeks in London. He composed film scores for educational films and incidental music for plays by W. H. Auden. His orchestral pieces, such as “Three Hornpipes” (1934) and “Country Dances” (1945), showed influences of William Walton and Peter Warlock. Murrill’s masterpiece, the cello concerto “The Song of the Birds” (1951), dedicated to Pablo Casals, showcased his personal voice.
Legacy and Impact
Herbert Murrill’s influence continues to resonate in the classical music world. His compositions, particularly his choral and organ works, remain frequently performed. The Magnificat and Nunc Dimittis in E major, published in 1947, stands out as one of his most enduring pieces. Murrill’s organ piece “Carillon” and his arrangement of William Walton’s “Crown Imperial” for organ have also secured a place in the repertoire. His contributions to the BBC as Head of Music from 1950 to 1952 helped shape British musical culture. Despite some controversy, Murrill was praised for his success at the BBC and his skills as an organist, pianist, and teacher.
Conclusion
Herbert Murrill’s life and career showcase a remarkable journey through the world of 20th-century British music. His diverse roles as a composer, educator, and administrator had a profound impact on shaping the musical landscape of his time. Murrill’s unique musical style, blending traditional and modern elements, continues to captivate audiences and musicians alike, ensuring his compositions remain relevant and appreciated in contemporary classical music circles.
